Archive for the 'Music Business' Category

AMA Nominations

• Wednesday, June 25th, 2008

The nominees for the 2008 Americana Music Association Honors and Awards have been announced, and as is usually the case, a number of bluegrass or bluegrass-related acts are in the running.

Alison Krauss and Robert Plant are nominated for Album Of The Year for their duet project, Raising Sand; Jim Lauderdale for Artist Of The Year; Chris Thile and Sam Bush for Instrumentalist Of The Year; Steeldrivers for New Emerging Artist Of The Year; Gone, Gone, Gone by Plant and Krauss for Song Of The Year; and Plant and Krauss for Duo/Group Of The Year.

Read the complete slate of nominees on the AMA web site.

The award winners will be announced on September 18, 2008 at the 7th Annual Americana Honors & Awards Show at The Ryman Auditorium in Nashville.

The show will be broadcast live on XM Satellite Radio, and taped for a later rebroadcast on Sirius Satellite Radio and BBC2 Radio.

The Bluegrass Blog » AMA nominations include bluegrass artists: bluegrass music news

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Top 10 Ways Musicians Piss Off Their Fans

• Monday, June 23rd, 2008

Original Article:  MuchMusic.com | Blog
We’ve all come in contact with that drunken guy at the party (hell, perhaps you’ve been that drunken guy) who corners you and makes you listen to a song that’s “changed his life.” Because music has this ability to really affect its listeners, the creators of said music are often worshipped or idolized. This fan worship can often go straight to the musicians’ heads, and can cause them to do things that are considered to be very schmuck-like by their fans. Frankly, these things have the ability to piss us right off and, to put it politely, can make us think uncharitable thoughts. Very uncharitable. Such as the recent incident at the Bonnaroo Music Festival where Kanye West didn’t play his set until 4:45 in the morning, making fans wait 2+ hours! Mmhmm - schmuck-like, indeed. (In response to this, one fan told Kanye to “S my D.”)

So what follows is a list of things that musicians have done that has caused outrage and scorn among listeners and, if you get right down to it, are pretty asshat things to do.

(more…)

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Kanye West Keeps Bonnaroo Fans Waiting Until 4:25am

• Monday, June 23rd, 2008

Fans at Bonnaroo yesterday (June 15) were so angry at Kanye West for his delayed performance that they scrawled their anger in spraypaint on the portaloos at the site, angrily chanted his name and pelted glowsticks at the stage during the two-hour delay.

West was due to perform at 2.45am yesterday morning but did not emerge on stage until 4.25am.

Messages on the screens told the crowd the show would be delayed until 3.15am and then delayed again until 3.30am, reports the Associated Press.

The crowd repeatedly chanted “Kanye sucks!” during the delay, and today a section of portaloos onsite were spraypainted with the words “Fuck Kanye”.

The delay was apparently due to issues setting up the rapper’s ‘glow in the dark’ stage set after a previous delay unloading Pearl Jam’s stage. The band had also run over their allocated time by an hour.

However, even with the stage set-up apparently completed at 3.30am, West did not appear for almost another hour.

According to reports, the original schedule had him in an 8.15pm slot but he requested a late-night set.

Original Article:
Bonnaroo fans anger as Kanye West is late | News | NME.COM

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Pearl Jam offers streaming ‘bootlegs’

• Monday, June 23rd, 2008

Pearl Jam, a band with a reputation for delivering great live performances, is offering to sell “bootleg” recordings of the group’s concert shows.

Fans can go to Pearljam.com and purchase streaming downloads or burn-to-order CDs of each of the band’s performances during its 2008 concert tour, which launched last week in Florida. Internap is overseeing the audio streaming.

Pearl Jam is taking liberties with the term bootleg. Typically bootlegs are pirated material that are given away or sold at bargain-basement prices.

That’s not the case here. Each concert performance will sell for $9.99 (MP3) and $14.99 (FLAC) and be made available two weeks after the performance. But fans may give Eddie Vedder and the group a pass on this one.

Why?

Because at least Pearl Jam is offering the music free of digital rights management. This means fans can burn the songs to disc or transfer them to their digital music players. Another reason is that Pearl Jam is a longtime advocate for fans.

Pearl Jam once canceled a concert tour to protest the high price of concert tickets. The group sued Ticketmaster and requested that the U.S. Department of Justice investigate the company. Nothing came of the lawsuit.

Full Article:
Pearl Jam offers streaming ‘bootlegs’ | Tech news blog - CNET News.com

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Gene Simmons blames fans, P2P for killing music industry

• Thursday, June 19th, 2008

The music industry is suffering, and it’s all because of those darn fans. Er, what? It turns out that KISS member Gene Simmons believes exactly that. He claims that piracy is to blame for the industry’s woes, and KISS is apparently taking its ball and going home until the situation gets under control.

“The record industry is dead. It’s six feet underground and unfortunately the fans have done this,” Simmons said, according to AOL News. “They’ve decided to download and file share. There is no record industry around so we’re going to wait until everybody settles down and becomes civilized. As soon as the record industry pops its head up we’ll record new material.”

It’s never a smart move to blame your loyal and devoted fans for the injustices of the world, but Simmons seems to think that his fans (unlike everyone else’s) would rather steal from the band than continue paying for music they enjoy. Simmons also thinks bands that encourage the public to download their music for free (such as Radiohead with its famed In Rainbows experiment) are only making the situation worse, despite the fact that Radiohead has made a nice chunk of change from the In Rainbows release so far.

Simmons’ latest comments come just over six months after his previous rant about the music industry, wherein he told Billboard, “Every little college kid, every freshly-scrubbed little kid’s face should have been sued off the face of the earth.” At that time, he blamed the record industry for letting foxes into the henhouse (presumably by allowing DRM-free music to be sold online, or perhaps any music at all to be sold online). “Doesn’t affect me. But imagine being a new band with dreams of getting on stage and putting out your own record. Forget it,” he said.

So, does this apparently rampant piracy problem affect Simmons or not? His comments between last November and now seem to contradict each other a bit, although they clearly share the same underlying sentiment: anger. Simmons might want to reconsider speaking for anyone but himself, though. Many young and independent bands are able to enjoy success on and off the stage, all while selling their music online. As part of an upcoming feature we’re doing on indie bands and online music, one band told us that its members believe that P2P is all part of the ecosystem, and that they even saw increased sales after their album showed up on Bit Torrent.

The sad part is that Simmons’ continued comments aren’t going to cause anyone (fans or not) to have an epiphany and quit their P2P-slingin’ ways. In fact, it may have the opposite effect—the clear disdain in his words may well drive some of KISS’ fans away. The only thing Simmons is doing by lashing out at fans is earning him a reputation as a curmudgeonly artist unwilling to adapt to a changing music landscape.

Original Article:
Gene Simmons blames fans, P2P for killing music industry

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Five Reasons Why Metallica Will Doom Bonnaroo Forever

• Thursday, June 12th, 2008

Bonnaroo, it was nice knowing you.

We’ll miss your gray market economy, with Frisbee-chucking weirdos selling burritos, beer and mystery balloons from the back of Econoline vans. We’ll miss the way you blended hippie jam bands like Rusted Root with indie rock bands like Death Cab for Cutie and the resultant nine-car social pile up that ensued. Hell, we’ll even miss the sunstroke and smell of the non-VIP camping area.

But it’s all over now. You could have had yourself a nice little time with David Cross in the comedy tent, dozens of stoners mesmerized by “The Big Lebowski” and maybe a nice Phil Lesh/Lupe Fiasco duet, but no. You got greedy. You wanted a big-time name near the top of the bill. You had to go cock things up and get Metallica.

Let there be no question: Metallica will kill Bonnaroo. When they’re done, Manchester, Tenn. will be a post-apocalyptic swath of scorched farmland, burned out VW Microbuses and tufts of shredded hair yanked from hipster beards. Why, you ask? Because this band is like Rogue from the X-Men, it kills everything it touches. Here are five solid examples to ponder before the special brownies kick in.

Full Article:
Five Reasons Why Metallica Will Doom Bonnaroo Forever - Esquire

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Songwriters Bill of Rights

• Wednesday, May 7th, 2008

ASCAP, more fully known as The American Society of Composers, Authors and Publishers, recently launched A Bill of Rights for Songwriters and Composers. The document contains 10 “core principles” that ASCAP hopes will serve to remind their members, the public, and government legislators of the rights granted to authors of creative works under the US Constitution.

The Bluegrass Blog » Songwriters Bill of Rights: bluegrass music news

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Dolly Parton releases album on own label.

• Wednesday, April 2nd, 2008

By JOHN GEROME, AP Entertainment Writer Sat Mar 22, 6:53 PM ET

NASHVILLE, Tenn. - Dolly Parton knows a good investment when she sees one, and these days she sees one in the mirror.

Parton, whose business portfolio includes a theme park and an entertainment production company, says she’s spending a lot of her own money trying to get back on country radio with her new CD, “Backwoods Barbie.”

“I’m looking at it like an investment,” she told The Associated Press. “I thought, ‘I’ve made enough money. I can afford to invest a little in myself.’”

She has self-released the disc on her own label, Dolly Records, and hired a seven-member promotions team.

“I purposely tailor-made this to try to get some hits,” Parton explained.

The album reached No. 2 on Billboard in its second week, her best showing in 17 years.

The first single, “Better Get to Livin’,” a country-pop song she describes as sonically similar to Keith Urban, sputtered at No. 48. But the second single, “Jesus & Gravity,” is just now arriving at radio.

At age 62, Parton remains an icon and inspiration to younger singers.

“I don’t think there’s anything that woman can’t do,” said rising country star Kellie Pickler, who calls Parton her greatest influence. “She just walks into a room and lights it up. She’s got that ‘it’ factor that money can’t buy. She’s the whole package.”

Music Row began to lose interest in Parton in the ’90s as a new crop of country stars emerged. Her last Top 5 hit, “Rockin’ Years,” was in 1991, and she hasn’t had a major label record deal in 10 years.

“When it changed I was still as serious as ever and was thinking I’m still as good as ever, if I ever was any good,” Parton said.

She has watched with interest as new technology has created opportunities without the big labels.

“Now the majors are what they used to think I was: history,” she said.

“I thought this is a good time, but I need to make an all-out effort. … Whatever it takes, you fight for it. You do what you have to do to feed your habit, and I’m a music addict.”

link to original article:
Dolly Parton releases album on own label - Yahoo! News

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Sony BMG’s planned music service looks like a yawner

• Tuesday, March 25th, 2008

Sony BMG plans to join the crowded pool of digital music services by launching its own music subscription service… sometime. Sony BMG CEO Rolf Schmidt-Holtz said that the service would allow customers unlimited access to Sony BMG’s entire library for a fee of €6 to €8 per month (roughly US$9-$12) and that the company was working with other labels and gadget makers in order to make it more appealing.

link to full article:
Sony BMG’s planned music service looks like a yawner

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Reality, antitrust concerns dog Apple subscription rumors

• Monday, March 24th, 2008

For instant rumor action, combine “Apple” with just about anything, add water, shake, and serve up on the Internet. The power of Apple rumors was on display again this week as word of a listen-till-your-eardrums-burst subscription hit the news. The result was a virtual torrent of commentary, news reporting, punditry, and antitrust accusations; PR on the scale that most companies would kill to have.

The hype

It began with an article in the Financial Times that said Apple was in talks with the major labels over bundling an all-you-can subscription plan with iPods. Customers might pay a premium on the devices for access to major label music, possibly for as long they own the device.

Subscription services to date have faced an uphill battle, since they all require DRM on downloaded files, and none of this DRM is compatible with the iPod. iPods account for around three-quarters of the US player market, meaning that any subscription service has a fairly small number of device owners to sell to.

Apple’s entry into the game could change all that, and could make lower-capacity but wireless devices more attractive as music platforms. It’s easier to sell a 16GB iPhone to music lovers, after all, if it can access any song, anywhere, with one upfront payment. But the moment that pundits began to blue-sky about Apple’s volte-face regarding subscriptions, two problems became quickly apparent: 1) Apple wasn’t doing any such thing, and 2) if it did, competitors would start agitating for some serious antitrust action.

The cold, cold water

No one is talking on the record about the situation, so what we have now are a collection of anonymously-sourced statements and heapings of conjecture. Businessweek did its best to quash the rumors, saying that sources had cast doubt on any potential deal. Apple was simply kicking ideas around, we’re told, not seriously trying to push a plan.

CNet claimed that Universal was actually the company pushing the plan, and that Apple was simply seeing if other labels might be up for something similar. The move would make sense, since Universal’s long-rumored “Total Music” plan would bundle access to its catalog with devices, and Universal has already signed on to a similar initiative with Nokia called “Comes With Music.”

Other reports were similar in tone. Yes, ideas like this had been floated, but nothing serious was being discussed.

The antitrust charges

That’s just fine with eMusic CEO David Pakman. eMusic is the number two download service in the US after iTunes and has built a huge stable of indie artists (it has no major label bands), with songs offered for around a quarter a piece. Pakman spent the second half of this week telling journalists that, if Apple was planning a subscription service, it might well be anticompetitive.

The argument is a simple one. “Apple has a monopoly,” Pakman told me Friday, citing their US market share at 80 percent. Companies in that situation have to play by a “different standard,” especially when it comes to anything that could be construed as “tying” (recall that Microsoft was accused of exactly this sort of tying when it rolled new “features” like Internet Explorer into Windows and then had to deal with years of litigation).

“If every iPod comes with [the hypothetical service], that’s tying,” Pakman said. eMusic and others would certainly bring the matter to regulators’ attention. But what if the new service is optional? Would that still be tying?

Pakman concedes that a court would need to hash this out, and he suspects that any such subscription service would in fact be optional. But he raises the specter of an “optional” service that in some ways isn’t; for instance, if Apple offered the upfront payment as an option when iPods were purchased through the Apple store, but made the payment mandatory for devices sold at Best Buy.

In the end, the whole story is “probably more rumor than anything,” Pakman says, and he professes astonishment that the major labels would bind their own digital destinies to Apple. Major label frustration with Apple has been obvious for years, as the majors were upset that Jobs held the line on a single price for all songs, and that iTunes so quickly became the dominant online retailer, thus giving Jobs more power over the labels than they had over him. Now, with the labels opening their DRM-free catalogs to other stores like Amazon, the balance of power may be shifting slightly, but Pakman believes that iTunes continues to account for 95 percent of the major labels’ digital downloads.

Major labels who made it even easier for Apple to control access to a growing part of their revenue stream would simply “continue the slide to their doom.”

A new hope?

We likely won’t see such an Apple-powered subscription model in the near future, then, but what’s most interesting about the story wasn’t the details of the subscription terms of the hardware it would function on. Instead, it was the very fact that subscriptions were attracting so much positive attention. Derided for years as “renting” music (and what consumer would want to do that?), the sudden rumor of a compelling subscription service that allowed unlimited major label content to be accessed and played from iPods and iPhones set the Internet ablaze.

Part of that could simply be due to the reality-distortion field emanating from Cupertino, which converts anything Apple-related into something cool, even if Apple derided the concept as ridiculous right up until its own announcement. But I think there’s more to it, something that makes the subscription model more palatable now than in years past.

In a word, it’s access. Always-on, constantly available, accessible anywhere access. There’s a reason why the interesting action in subscriptions has been happening in portable phones and not in standalone music players, and now that Apple has the hugely-successful iPhone in its lineup, it certainly could  roll out a compelling subscription.

This is the sort of value proposition that competitors haven’t been able to match: the biggest music store combined with the hottest device combined with all the music you want combined with anywhere access. Surely Apple sees the potential here; if it doesn’t, this week’s hubbub should show the company that such a service would be buzz-worthy. Whether we’ll ever see it rolled out is another question.

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Link to Original Article:
http://arstechnica.com/news.ars/post/20080323-reality-antitrust-concerns-dog-apple-subscription-rumors.html

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